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System Stories and Model Worlds: A Critical Approach to Generative Art
2005
Whitelaw, Mitchell. System Stories and Model Worlds: A Critical Approach to Generative Art In Readme 100: Temporary Software Art Factory, edited by Olga Goriunova, 135-154. Norderstedt: BoD, 2005.
FUTURE AND BEHIND
2015
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2015
Event: FUTURE AND BEHINDInstitution: CON-TEMPORARY-Art ObservatoriumComment:
DAM:TEMPORARY
2016
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2016
Event: DAM:TEMPORARYInstitution: DAM GalleryComment:
Adam smith's invisible hand
2010
-
2010
Le concept de la Main Invisible développé par Adam Smith m’a toujours fasciné. En ces périodes électorales étasuniennes où il est brandi comme argument ultime, quasi mystique, pour justifier la position de ceux qui pensent que leur égoïsme assumé
Camouflage
2012
-
2012
... the Bieler Höhe were ex
change
d for monochrome quartz green...
MAC Lima
Carré blanc sur fond blanc
1990
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1990
Deux pièces datant du début des années 1980, parmi les toutes premières œuvres de Maurice Benayoun, s’articulent autour de la thématique historique du Carré blanc fond blanc de Kazimir Malevitch. L’artiste n’a alors pas encore exploité le
Contre Temps
2013
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2013
When Olga Kisseleva was invited to do a performance at Louvre Lens, she analyzed the layout of the museum. The Louvre Lens building, which is made up of several elongated and slightly curved modules, seems both open (to viewing, to interpretation,
Le temps à l'oeuvre
2012
Kisseleva Olga. Le temps à l'oeuvre. Paris, France: co-edition Louvre-Lens et Invenit Éditions, 2012.
Contre Temps
2014
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2014
Contre Temps, solo show, Rabouan Moussion gallery, Paris France
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