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Pinches Pelos Dodger
2008
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2008
Installation, human hair coated with platinum film and engraved with a focused ion beam, test tube, illuminated electron-microscope duratrans print, metal frame, certificate
The Sinus-Venosus Effect
2009
Reinhuber, Elke and Sebastian Pelz. The Sinus-Venosus Effect. Vol.500. Berlin: Create Berlin, 2009.
Hoch und runter
2014
An old wooden boat is suspended from a metal frame like a swing, moving forward and backward in an unnaturally slow and almost imperceptible motion. The boat neither assumes the bouncing rhythm of a wave, nor the smooth alter- nation of a pendulum,
Maschinensehen –Feldforschung in den Räumen bildgebender Technologien
2013
Mittelberger, Felix; Pelz, Sebastian; Rosen, Margit and Anselm Franke, ed. Maschinensehen – Feldforschung in den Räumen bildgebender Technologien. Leipzig: Spector Books, 2013.
See No Evil
2021
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2021
SEE NO EVIL is a drawing and text work in the form of a diary. Through a randomizing algorithm, the artist’s fictitious autobiographical text is masked by her original pencil drawings. Twenty-one of these drawings trigger augmented reality
transmediale.09: deep north
2009
Looking beyond the alarmist scenarios of environmental, social and economic catastrophes to be expected in the wake of global warming, the essential question isn't that of how to avoid these processes, but to examine the need for a fundamental shift
Cultural Heritage and New Medias
1999
Fischnaller, Franz. Cultural Heritage and New Medias In Pendulum Symposium: Mediterranean and Balkan Art and Technology, , 47-48. Athens, Greece: 1999.
Un art coupable mais toujours libre
1999
Event: Un art coupable mais toujours libreInstitution: Pendulum SymposiumComment:
The Return of Ulysses
2004
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2004
Lincoln Center Great Performers Present Il Ritorno d'Ulisse March 2-6, 2004 Handspring Puppet Company Furio Zanasi - Ulisse Kristina Hammarström - Penelope Jan Kobow - Telemaco/Pisandro Marek Rzepka - Nettuno/Antinoo Atala Schoeck -
Penesta Dika
Artist: Penesta DikaComment:
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