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  • laser etched print; Dimensions25 × 28 3/4 in. (63.5 × 73 cm)
  • Head
    HeadArtist: Lillian F. SchwartzComment:
  • Ascott, Roy. Das digitale Museum / The Digital Museum In Perspektiven der Medienkunst / Media Art Perspectives, edited by H. Schwartz, 76-83, 183-189. Karlsruhe, Deutschland: Cantz Verlag, 1996.
  • Schwartz, Lillian F. and Laurens R. Schwartz. The Computer Artist´s Handbook: Concepts, Techniques, and Applications. New York: W W Norton and Co, 1992.
  • Butler, Cornelia and Alexandra Schwartz and Griselda Pollock and Aruna D'Souza, ed. Modern Women: Women Artists at The Museum of Modern Art. New York: The Museum of Modern Art, 2010.
  • Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.
  • drift:shift -
    Event: drift:shiftInstitution: Linda Schwartz GalleryComment:
  • Fossil Folds -
    Event: Fossil FoldsInstitution: Art Chicago - Linda Schwartz GalleryComment:
  • Manfred Mohr *1938 in Pforzheim, Deutschland, wo er an der Kunst- und Werkschule studierte. Arbeitete von 1963-83 in Paris (F), wo er 1965 Lithografie an der Ecole des Beaux Arts studierte. Erste Einzelausstellung 1968 in der Daniel Templon Gallery,
  • Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Medien Kunst Geschichte, edited by Hans Peter Schwarz, 108f.. München, DE: Prestel Verlag, 1997.