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DualTerm
2007
video
DualTerm explores our contemporary experience of the global airport. Visitors to Toronto's Pearson Airport's Terminal One come upon a sculptural shape with five embedded plasma screen monitors. On the left most monitor, a computer generated 3-D
Wild Panoramic Navigator
2010
The WILD Panoramic Navigator is a novel, interactive augmented-reality multimedia information terminal derived from the original Panoramic Navigator (1997). It provides a means for the general public to intuitively and interactively orient
Coleoptera
2018
-
2019
video
Coleoptera Learning computer coding concepts for children (age 4 to 10) Developed for the Centre Pompidou, Paris © 2018-2019, Laurent MIGNONNEAU & Christa SOMMERER Coleoptera is an application that enables the creation of computer animated insects
Creatures #4
2016
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2016
CREATURES #4 6/7/8 May 2016 16:00-21:00 Opening on Friday 6 May 2016 at 16:00 Interactive installation by Pier Giorgio De Pinto @ Keck-Kiosk Klybeckstrasse 1b, Basel Tram Nr.8 - Stop Kaserne keck-kiosk.ch/interaktive-installation-creatures-4/ All
Sprache Sehen
1996
-
1998
Computer-controlled interactive light installation Polytechnic school Bregenz (AT), extension Baumschlager/Eberle, competition, realization 1996–8 [English title, 'Seeing Language'] In each of the three staircases of the new building of the HTL
Terminal New York
1983
Penny, Simon. Terminal New York Artviews Magazine (1983).
Critique-New York, The Terminal
1984
Penny, Simon. Critique-New York, The Terminal Art Network (1984).
A Recombinant History Apparatus presents Terminal Time
2002
Vanouse, Paul and Michael Mateas and Steffi Domike. A Recombinant History Apparatus presents Terminal Time Narrative Intelligence, John Benjamins Press (2002): 155-173.
DualTerm
2007
Event: DualTermInstitution: Pearson International Airport, Terminal 1Comment:
Stages Elements Humans
1998
-
1998
As you enter into the space you are confronted with a dramatic and disturbing combination of images and sound. A wall of figures, naked and staring straight at the audience span the width of the gallery space. The life size figures initially
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