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  • Stolen Life -
    Two concepts have marked 21st century creation, the metaphysical consequence of which is obvious to everyone, despite their apparent differences. The first is the idea that it is the spectator who creates the picture and the second is that the
  • make-A-move -
    "make-A-move," is an interactive installation involving two encased flat screens, digital animation, and physical computing. Two automated portraits - a female and a male subject photographed by the artist - react to the movements of passersby.
  • A telematic mixed reality live-time performance between two places. A dancer performs in Canada, her movements are shown on two screens in Indiana, where musicians play in reaction to her movements. The combined visual and sound recordings trigger
  • An Interactive Art Installation / Immersive Cinema Experience An Uncommon Affair At Tooting Bec Common is an immersive cinematic work presented in the context of an interactive installation environment. The structure of the work is inspired by the
  • LEIKHEN -
    Inspired by the composite plant of lichen (from Greek: leikhen), which is the result of a hybrid partnership between a fungus and an alga. The installation is therefore a reflection upon the interaction and mutualistic relationship between two
  • SOMEONE -
    SOMEONE imagines a human version of Amazon Alexa, a smart home intelligence for people in their own homes. For a two month period in 2019, four participants’ homes around the United States were installed with custom-designed smart devices, including
  • Palette
    Palette is a series of projected images of a coral as it moves through time on its own accord. It was produced through time-lapse photography at the Marine Biological Laboratory at Woods Hole, Massachusetts. Each time-lapse video is projected onto
  • Kluszczyński, Ryszard W.. Screens/Images/Worlds_Transformations of Seeing Art Inquiry V (2003): 87-104.
  • Kusahara, Machinko. From Ukiyo-e to Mobile Phone Screens - A Japanese Perspective In Migrating Images, edited by Peter C. Seel and Petra StegmannBerlin: House of World Cultures: 2004.
  • WRO 01
    WRO 01: Screens