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Fisher, Scott. S. and Mark.T. Bolas and John O. Merritt, ed. Stereoscopic Displays and Virtual Reality Systems VI. Proc. SPIE3639, Cambrige, MA: 1999.

Diamond Sara and Marilouise Kroker. Reframing the Cathedral: Opening the Sources of Technology and Cultural Assumptions In Critical Digital Studies: A Reader, edited by Arthur Kroker, 15. Canada: 2008.

Bredekamp, Horst. Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation In Interface I: Elektronische Medien und Künstlerische Kreativität, edited by Klaus Peter Dencker, Hamburg. :

Zapp, Andrea. Private Views - the Role of the Viewer in Networked Digital Models of Narration In De la Pantalla al Arte Transgénico, edited by Jorge La Ferla, 186-192. Buenos Aires: Libros Del Rojas, Universidad Buenos Aires, 2000.

... SIGGRAPH´90 Art Show Catalog, Vol.3. Leonardo....

Bay-Cheng, Sarah and Jennifer Parker-Starbuck and David Z. Saltz, ed. Performance and Media: Taxonomies for a changing field. Ann Arbor: University of Michigan Press, 2015.

Hosale, Mark-David and Sana Murrani and Alberto de Campo, ed. Worldmaking as Techné: Participatory Art, Music, and Architecture. Toronto: Riverside Architectural Press, 2018.

Sommerer, Christa and Laurent Mignonneau. Text as Genetic Code: Creating Visual Language on the Internet In CADE’99 Computers in Art and Design Conference Proceedings, , Appendix. Teeside: University of Teeside, 1999.

ScenoSpace. The first virtual reality art installation .

Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach. Winner of The Prix Net Art, 2014: JODI https://prix-netart.org/past-winners/ [PRIX NET ART, October 2014].