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Occupy Wall Screens
2012
Event: Occupy Wall ScreensInstitution: Palais de TokyoComment:
Critical Fusion: Fiction Fighting for Reality in the Urban Battlefield
2018
Event: Critical Fusion: Fiction Fighting for Reality in the Urban BattlefieldInstitution: Symposium Emergent Visions: Adjacency and Urban ScreensComment:
Decidophobia
2012
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2013
video
The current quarrel between neuroscientists and moral philosophers about whether there is a free will or only a surrogate thereof provided by the subconscious cannot be settled easily. Instead Elke Reinhuber offers to see for yourself in her work
Swarming Lounge
2018
video
Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
Swarming Lounge
2018
video
Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
Twin Depths
2018
-
2018
Video Installation. A series of perfomances 'An attempt to return back to native element'. The installation consists seven screens with loop playing seven movies. It is based on a series of performances 'An attempt to return back to native element'
GaribaldiMap
2012
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2012
“GaribaldiMap” intends to map all monuments to Giuseppe Garibaldi, as far as possible, throughout the world. Probably most statues of the “hero of the two worlds” can be found in squares, crossroads or main streets. This could be one of the reasons
Screentime
2019
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2019
Event: ScreentimeInstitution: Green on Red GalleryComment:
On Location
2017
Parker, Kayla. On Location Screenworks 7, no. 3 (December 2017).
Plot Against Time #3 (lower resolution excerpt)
2010
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2010
Plot Against Time #3 (Insect Sonata (after Scriabin)), a single channel video, draws out the trajectories of insects in the my shady garden as they pass through beams of sunlight on a rare windless day in spring. The work's subtitle refers to early
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