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  • Willet, Jennifer. BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production [16.07.2014].
  • Brea, José Luis. El Tercer Umbral. Estatuto de las prácticas artísticas en la era del capitalismo cultural. Ad Hoc Ensayo, Murcia, Spain: CendeaC, 2004.
  • Ackers, Susanne. Consciousness, Art, and Media In Dimensions of Conscious Experience, edited by Paavo Pylkkänen and Tere Vaden, 179-190. Amsterdam: Benjamins, John, 2001.
  • Grieder, Terence. Artist and Audience. London: Brown and Benchmark, 1990.
  • Artist: Teres WydlerComment:
  • Elusive Self -
    ELUSIVE SELF A room installation which deals with the capacity of our brain to remember - and to forget, focusing on how we constantly revalue and recreate our relation to ourselves and to our past. Our memory is not like a printed book with an
  • Swimmer
    The swimmer is performing movements which can be seen as completely natural, yet they contain a vital contradiction, a double meaning: swimming as a way of surviving. At the same time as the swimmer is having a pleasurable experience of the element
  • Cantoni, Rejane and Maria Teresa Santoro. Künstliches Leben: Frankensteins Nachkommen Dichtung Digital (online) (2002).
  • Tokyo MA
    Tokyo MAArtist: Teresa WennbergComment:
  • NO=ON -
    NO=ONArtist: Teresa WennbergComment: