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Stocker, Gerfried. Takeover - About the thing formerly known as art In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine Schöpf, 16-19. New York, Wien:

Sommerer, Christa and Laurent Mignonneau and Christine Schöpf. From the Poesy of Programming to Research as Art In Ars Electronica 2003, CODE - The Language Of Our Times, edited by Gerfried StockerOstfildern/Ruit: Hante Cantz Verlag, 2003.

Weibel, Peter. Das befreite Bild In Kunst, neue Technologien: Standortbestimmung. Schriftenreihe der Hochschule der Künste Berlin, edited by Karl Hofer Symposium 1984Vol.7. , 125-140. Berlin, DE: Colloquium Verlag, 1986.

Schröder, Käthe, ed. Computerkunst - On the Eve of Tomorrow. Katalog zur Ausstellung, Kubus, Hannover. Hannover, DE: Clarissa -Contemporary-Art and G.-W.-Leibniz-Gesellschaft et. al., 1969.

Huang, Jeffrey and Thomas Schroepfer. Internet and Architecture: Explorations in Emerging Architectural / Typologies and Design Processes , 1-12. Pomona, California: 2002.

Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?. New York, Wien: Springer Verlag, 2001.

Richard, Birgit. Biologie und Fake Life Construction - Kommunikationssplitter aus dem Netzsymposium zu LifeScience In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine Schöpf, 30-46. Wien, New York: Springer Verlag,

Walser, Randal. The Emerging Technology of Cyberspace / Die heranwachsende Technologie des Cyberspace In Ars Electronica 1990 - Digitale Träume Virtuelle Welten, edited by Gottfried Hattinger and Morgan Russel Russel and Christine Schöpf and