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  • Future Memories. Utopia Dystopia NatureExhibition Strategy & Reflection
    Krämer, Harald. Future Memories. Utopia Dystopia Nature Exhibition Strategy & Reflection. : 2022.
  • Utopia Treasury -
    Event: Utopia TreasuryInstitution: The Wrong BiennaleComment:
  • Experimenta Utopia Now - International Biennial of Media Arts - Melbourne (Australia)
    Event: Experimenta Utopia Now - International Biennial of Media Arts - Melbourne (Australia)Institution: Ars Electronica Linz GmbH & Co KGComment:
  • The Traditions of Changes
    This collaborative composition consists of 6 movements, leading the listener through a utopian sonic maelstrom in a modern re- interpretation of some sections of ‘New Atlantis’ (Francis Bacon, 1624- 27). Psychedelica, field recordings and abstract
  • Scavengers - video
    Scavengers ©2020, Laurent Mignonneau & Christa Sommerer developed for the TransArt Festival at Centro Trevi in Bolzano and supported by MEET Milano Beetles form a group with more than 350.000 known species. They come in many variations and forms and
  • Disentangling Utopian Dreams
    Penny, Simon. Disentangling Utopian Dreams In The Computer is not Sorry, Boston: 1993.
  • Utopian Entrepreneur
    Laurel, Brenda. Utopian Entrepreneur. Cambridge, MA: MIT Press, 2001.
  • Future Room video
    Fulldome participatory installation as a metaphor for a prediction machine. Virtual space of knowledge where visitors trigger, via a voice recognition system, one of the twelve clouds of information on the future of work, education, democracy...
  • Future Room video
    Fulldome participatory installation as a metaphor for a prediction machine. Virtual space of knowledge where visitors trigger, via a voice recognition system, one of the twelve clouds of information on the future of work, education, democracy...
  • Networked interventions: debugging the electronic frontier
    Erickson, Christa. Networked interventions: debugging the electronic frontier In Embodied utopias: gender, social change and the modern metropolis, edited by Amy Bingaman and Lise Sanders and Rebecca Zorach, 225-241. London: Routledge, 2002.
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