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  • Guasch, Anna María. La crítica de arte. Historia, teoría y praxis. Barcelona, Spain: Serbal, 2003.
  • Perissinotto,Paula & Barreto,Ricardo, ed. Teoria Digital: dez anos do FILE Festival Internacional de Linguagem Eletrônica. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2010.
  • Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created: 2016 This is a still image from Acevedo’s Electronic
  • Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created: 2016 This is a still image from Acevedo’s Electronic
  • Mark J. Stock's work is suffused with highly dynamic and detail rich imagery that is often indistinguishable whether it originated in the natural world or in a highly evolved virtual platform. Stock's process is algorithmically based; with his
  • 2012 MUSEUM VILLA ROT (25.March.2012 until 17.June.2012) Exhibition: "Jäger und Gejagte," Curator: Stefanie Dathe Artists: Jennifer Angus, Jana Eske, Jan Fabre, Tessa Farmer, Lili Fischer, Kirsten Geisler, Douglas Gordon, Cornelia Hesse-Honegger,
  • Willet, Jennifer. BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production [16.07.2014].
  • Brea, José Luis. El Tercer Umbral. Estatuto de las prácticas artísticas en la era del capitalismo cultural. Ad Hoc Ensayo, Murcia, Spain: CendeaC, 2004.
  • Ackers, Susanne. Consciousness, Art, and Media In Dimensions of Conscious Experience, edited by Paavo Pylkkänen and Tere Vaden, 179-190. Amsterdam: Benjamins, John, 2001.
  • Grieder, Terence. Artist and Audience. London: Brown and Benchmark, 1990.