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  • DualTerm explores our contemporary experience of the global airport. Visitors to Toronto's Pearson Airport's Terminal One come upon a sculptural shape with five embedded plasma screen monitors. On the left most monitor, a computer generated 3-D
  • Corby, Tom, ed. Network Art: Practices and Positions. London: Routledge, 1990.
  • Ascott, Roy. The Cybernetic Stance: My process and Purpose. In Visual Art, Mathematics and Computers, edited by Roger F. Malina, 135-142. London: Pergamon Press, 1979.
  • Pig
    A helium-inflated pig was specially made for the cover of Pink Floyd's Animals album. It was flown over the Battersea Power Station for the photograph, but accidentaly got free and flew many kilometers over London and landed in the countryside -
  • Whitney, John. Bewegungsbilder und elektronische Musik In Heft 7 - Forum - Raum, edited by Herbert EimertVol.7. Die Reihe, Wien, Zürich, London: Universal Edition Wien, 1960.
  • Gil, Iker. Making Visible the Invisible https://mascontext.com/issues/information/making-visible-the-invisible.
  • Harwood started out as an artist during the 1980s. He was involved with publishing initiatives such as the Working Press (books by and about working class culture); Underground newspaper (a London-based free newspaper aimed at promoting and
  • Callanan, Martin John. Text Trends. London, England: Merkske Books, 2010.
  • Spiller, Neil, ed. Cyber Reader: Critical Writings for the Digital Era. London, UK: Phaidon Press, 2002.
  • Guardian Angel -
    Guardian Angel is a fictitious corporation that offers a broad range of highly personalized services in exchange for extreme personal surveillance. The installation is made up of three elements: a video projection of a live, fairly invasive video