Archive Search

  • ... been doing sound performanceswhere I composed tapes and sang live. I didn’t like live performing so I gravitated toward producing...
  • ... fishing lines and ropes. Growing up to 120 feet long, they live in deeper offshore waters. In Gardens of the Anthropocene they...
  • Desert rain -
    ... the realms of the image. (…) It is therefore the performing live presence existing alongside the vitriol world that enables a...
  • ... of immersive metaverse interactivity and technologies. I have lived through the epochaltransformations that have been manifest...
  • AME: Art After Museum -
    ... THE MUSEUM IS THE DEAD MEMORY OF ART. ART AFTER MUSEUM IS A LIVE MEMORY . Contemporary art is no longer an hostile environment....
  • ... the material of a general knowledge, and they will be able to live on, and even constitute the basis for further research. The...
  • ... Once in the virtual office, they see the Street Player on a live web cam. They are asked a series of questions culminating in:...
  • .. "So instead of writing about meaning production, I empower the exploration of meta-meaning processes that arise via self-directed engagement" ..
  • ... - a logical essence of the universe we inhabit, the planet we live on, the computers we make? TURBULENCE is an interactive work...
  • ... Acevedo’s visual music explores the implications of synesthesia through computer animated geometry.