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  • Pearlman,Ellen. Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews May.
  • Hauser, Jens. Greenness: Sketching the Limits of a Normative Fetish In The Aesthetics of Necropolitics, edited by Natasha LushetichVol.4. Experiments/On the Political, , 97-118. London: Rowman & Littlefield Publishers, 2018.
  • Benayoun, M.. Art Collider: Towards Transactional Aesthetics AAO Project Conference Proceedings (2011).
  • Pedro Alves da Veiga is a Portuguese transdisciplinary artist and researcher. He holds a degree in Computer Science (Nova University of Lisbon), a Post-graduation in Advanced Studies of Digital Media Art (Aberta University) and a PhD in Digital
  • Based in Montreal, Bill Vorn is active in the field of Robotic Art since 1992. His installation and performance projects involve robotics and motion control, sound, lighting, video and cybernetic processes. He pursues research and creation on
  • Berlot, Uršula. Duchamp and the Notion of Optical Tactility Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics. University of Murcia (2011).
  • Puncer, Mojca. Sodobna umetnost in estetika/Contemporary Art and Aesthetics Ljubljana: Publicistično društvo ZAK, Maribor: Pedagogic Faculty (2010).
  • Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.
  • Sanchez Cardona, LM. The making of a nomenclature: José Iges on Radiophonic Art In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila MildorfLondon: Lexington Books, 2020.
  • Watz is an artist based in New York and Oslo. He works extensively with generative design and code to explore the creative outputs of virtual spaces defined by rule-based systems and visual abstraction through generative systems. In 2005 Watz