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Fidelio, 21. Century
2001
-
2004
... around the auditorium. [...] What
make
s this electronic production unique are the...
Maria Roussou
... She founded in 2003 and co-directed
make
believe, an experience design and consulting...
William Kentridge
...South African draughtsman, film
make
r and sculptor William Kentridge studied at the Johannesburg Art...
Spatial Sounds (100db at 100km/h)
2000
-
2000
...
make
s it possible to detect exactly
how
close and where the onlooker is in... not only spins at varying speeds but also
make
s very distinct movements in all directions....
The Castle
1995
-
1995
... specific architectural sites. The title
make
s reference to Kafka's novel of the same name,...
Solitary
1992
-
1992
... impossible nature of identity. The work
make
s use of sensory deprivation and stroboscopic...
Can you see me now?
2003
-
2005
... Me Now?takes the fabric of the city and
make
s our location within it central to the game...
MIMI and the Illuminati
1992
-
2006
... of the output of a given process.
How
ever, an extimate can be made by counting the... second. It is this large band-width that
make
s the audification of certain mathematical...
Camille Baker
... Media and Performance (pub. 2018), s
how
cases exciting approaches and artists wearables,... and emerging media curating.
Make
r of participatory performance and immersive...
Emotional Traffic (e-traffic)
2005
... so that the increasing density of terms
make
s the music more complex. The directors...
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