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  • Flesh Machine: Cyborgs, Designer Babies, & New Eugenic Consciousness
    CAE. Flesh Machine: Cyborgs, Designer Babies, & New Eugenic Consciousness. New York: Autonomedia, 1998.
  • (collective) Mansoux / Valk
    Aymeric Mansoux has taken part in many artistic experiments based on the internet and the emergence of networks, and considers any form of data to be a new clay that can be used to develop autonomous artistic processes. His most recent projects
  • Jon McCormack
    Jon McCormack is an Australian-based electronic media artist and researcher in Artificial Life and Evolutionary Music and Art. His research interests include generative evolutionary systems, computational creativity, machine learning, L-systems and
  • The Design of the Connection Machine
    Thiel, Tamiko. The Design of the Connection Machine Design Issues 10, no. 1 (Spring 1994): 5-18.
  • Machine Sapiens
    Thiel, Tamiko. Machine Sapiens Ylem Newsletter 15, no. 6 (November/December 1995): 5-6.
  • The Design of the Connection Machine
    Thiel, Tamiko. The Design of the Connection Machine In The Designed World: Images, Objects, Environments, edited by Richard Buchanan and Dennis Doordan and Victor Margolin, 155-166. Oxford/New York: Berg, 2010.
  • Simone Michelin
    SM Lives in São Paulo as a New Media Artist and Researcher employing computer-based technologies and moving-image associated to architectural constructions in the production of art. Michelin investigates the production of social space through
  • Simon Penny
    Simon Penny is an Australian practitioner in the fields of Digital Cultural Practices, Embodied Interaction and Interactive Art. His practice has included artistic practice, technical research, theoretical writing, pedagogy and institution building.
  • Alan Kay’s Universal Media Machine
    Manovich, Lev. Alan Kay’s Universal Media Machine http://manovich.net/index.php/projects/alan-kay-s-universal-media-machine.
  • The Soft Machine. Cybernetic fiction
    Porush, David. The Soft Machine. Cybernetic fiction. New York: Methuen, 1985.
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