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  • ... leaders in artmaking that rethinks ways humans interact with animals. Exhibiting artists: Julie Andreyev, Hilary Berseth, Catherine Chalmers, Emil Fiore, Mark Fischer, Ryan Hackett, Komar and Melamid, Steven Kutcher, Mary Jo McConnell, Jim Nollman, Julia...
  • Long Wave - video
    ... with the architecture, honouring and at the same time toying with and destabilizing the formal regularity of the soaring, cathedral-like space.
  • ...Diamond Sara and Marilouise Kroker. Reframing the Cathedral: Opening the Sources of Technology and Cultural Assumptions In Critical Digital Studies: A Reader, edited by Arthur Kroker, 15. Canada: 2008.
  • ...Since 1980 Catherine Ikam has been working on the concept of identity in the digital age, themes of identity and appearance, the living and the artificial, and the human and the model. In collaboration with Louis Fléri she has produced virtual reality installations in...
  • ... investigated the origins of British digital arts from the 1960s to 1980. During the period 2002 to 2006 I identified, located and interviewed over 60 British pioneers. Outcomes of this project include two books and Bits in Motion, a film screening and...
  • Restany, Pierre, ed. Chapelle des Jesuites. : Edition Maeght, 1991.
  • ... of his works to destine to the new permanent collection of Modern and Contemporary Art in 2002. Treasure Museum of S.Grato Cathedral, Aosta (Italy); Museen im Antonierhaus, Memmingen (Germany) in 2006; Jazz Festival, Ascona(Switzerland); Museum fur...
  • ...Elwes, Catherine. Pam Skelton at the Imperial War Museum Art Monthly (April 1995).
  • ...Crowston, Catherine. Janet Cardiff, George Bures Miller: The Dark Pool Banff Centre (online publication) (1995).
  • Catherine Mason. A Computer in the Art Room: The Origins of British Computer Arts 1950-1980. Norfolk, UK: JJG Publishing, 2008.