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  • Sally Sheinman
    I have always been deeply interested in the viewer, pondering why some people engage with art while others do not. This curiosity led me to start asking questions directed at the audience. For one project, I asked, "What did you do today?" In this
  • Bill Viola
    Bill Viola has been instrumental in the establishment of video as a vital form of contemporary art, and in so doing has helped to greatly expand its scope in terms of technology, content, and historical reach. For 40 years he has created videotapes,
  • New Screen Media
    Legrady, George. New Screen Media In The Dynamics of Real and Virtual Space Audience Dialogue, edited by Martin Rieser and Andrea ZappKarlsruhe, London: ZKM and BFI London, 2002.
  • Artist and Audience
    Grieder, Terence. Artist and Audience. London: Brown and Benchmark, 1990.
  • Virtual Scenography: The Actor/Audience/Computer Interface
    Reaney, Mark. Virtual Scenography: The Actor/Audience/Computer Interface Theatre Design and Technology 32, no. 1 (Winter 1996): 36-43.
  • Great Image of Eve Clone - video
    After Pey-Chwen Lin completed the “Making of Eve Clone I”, she created an interactive installation, the “Great Image of Eve Clone”, to further explore the relationship between humans and Eve Clone — the way a human gave life to Eve Clone is similar
  • Peter Flemming
    Peter Flemming Curriculum vitae, March 2010 www.peterflemming.ca peter@peterflemming.ca all locations Canada, unless otherwise mentioned Artist statement I see what I make as the electromechanical equivalents of short stories. Instead of
  • Dinka Pignon
    Dinka Pignon is an interdisciplinary media artist working with spatial video installation and performance art. Her experimental practice is characterized by a strong affinity for the phenomenal, liminal, conceptual and minimal. Her work is situated
  • The Mobile Audience
    Martin Rieser. The Mobile Audience In The Mobile Audience: Media Art and Mobile Technologies, edited by Martin Rieser, 23-38. Amsterdam/New York: Rodopi, 2011.
  • Pier Giorgio De Pinto
    The work of the Italian artist Pier Giorgio De Pinto thrives on the relationship between representation and concept in a constantly and suddenly changing image-based society in search of a new identity. Since the sixties, recent changes have been
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