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  • Artists: Nora Al-Badri & Jan Nikolai Nelles (DE), Jonas Blume (DE) Justine Emard (FR), Carla Gannis (US), Sofian Audry and Erin Gee (CAN), Liat Grayver (ISR/DE), Faith Holland (US), Tuomas A. Laitinen (FI), and William Latham (UK) Initiated and
  • La performance est la prĂ©sentation d'un projet de recherche technologique proposĂ©e en 2013 (soit 10 ans plus tard) PrĂ©sentĂ©e sur une estrade, projection sur tulle en avant scène des illustrations animĂ©es qui semblent flotter dans l’espace. Speaker
  • In a public exhibition space (Art Basel Unlimited), von Bismarck spent a week on a paraboloid-shaped cement disc, which rotated around its own axis at a speed of fifteen revolutions per minute. He slept, ate, read, and talked on the telephone while
  • Bolz, Norbert. Theorie der neuen Medien. MĂĽnchen: Raben Verlag, 1990.
  • Bolz, Norbert. Die Wirklichkeit des Scheins In Strategien des Scheins: Kunst Computer Medien, edited by Florian Rötzer and Peter Weibel, 110-121. MĂĽnchen: Boer Verlag, 1991.
  • THE MEDUSA PROJECT (AUTOBIOGRAPHY) refers to the relationship between women and power as depicted in both ancient mythology, and in postmodern culture. It represents my attempt to directly merge personal history and influences into the production of
  • Bolz, Norbert. Eine kurze Geschichte des Scheins. MĂĽnchen: Fink, 1992.
  • Bolz, Norbert. Die Welt als Chaos und als Simulation. MĂĽnchen: Fink, 1993.
  • Bolz, Norbert. Interaktive Medienzukunft In Interaktiv: Im Labyrinth der Wirklichkeiten, edited by Wolfgang Zacharias, 120-126. Bonn: Edition Umbruch, 1996.
  • Coy, Wolfgang. Aus der Vorgeschichte des Mediums Computer In Computer als Medium, edited by Norbert Bolz and Friedrich Kittler and Christoph Tholen, 19-37. MĂĽnchen: Wilhelm Fink Verlag, 1994.