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  • Smart Pantheon RGB
    2022, interactive online video for mobile devices with touch-screen (runs in web browser; best suited for iPhones and iPads) In her interactive video work Smart Pantheon RGB, Myriam Thyes addresses the almost religious devotion we give to our
  • Observed, Observing, Observer video
    "Did you know it takes exactly 24 hours at 24fps to display each pixel on a High Definition Television screen? Initially, an animation is created by translating an image of Nam June Paik's TV-Buddha with a resolution of 1920 x 1080 pixels. Achieved
  • Sensible Concepts: Mediation as a Way of Being -
    We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of
  • Bodies as Border: Traces and Flows of Connection -
    Event: Bodies as Border: Traces and Flows of ConnectionInstitution: Urban Screen, Surrey Art GalleryComment:
  • falling asleep - video
    “falling asleep” is an online interactive and performative virtual self-portrait, a ludic yet introspective journey into the depths of sleeplessness and the artist’s long-lasting struggle with insomnia. Clones of Martina’s body fall relentlessly and
  • Chronoscape -
    The totem consists of a clock mechanism, a monitor, and hidden video camera. It is a symbolic representation or embodiment of the concept of time and serves as a reminder of its flow, the impermanence of life or the cyclical nature of existence.
  • Besides the Screen 19
    Event: Besides the Screen 19Institution: Besides the ScreenComment:
  • Besides the Screen
  • Screenarcadia
    Event: ScreenarcadiaInstitution: MicroWave FestivalComment:
  • Surveillance Cameras: they are alive!!! -
    Due to the increasing proliferation of surveillance cameras, we are caught up in an everyday and worldwide “paranoia” of insecurity, what we could call “a society of surveillance”. This project wishes to create a series of “living” robotic cameras
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