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Environments, Interactions and Beings: The Ecology of Performativity and Technics 2009

Salter, Chris. Environments, Interactions and Beings: The Ecology of Performativity and Technics In Interfaces of Performance, edited by Maria Chatzichristodolou and Rachel Zerihan and Jannis JeffriesLondon: Ashgate, 2009.
Sharing Data in Collective Interactive Performances: The SenseWorldDataNetwork 2009

Salter, Chris and Marije Baalman and Harry C. Smoak. Sharing Data in Collective Interactive Performances: The SenseWorldDataNetwork In Proceedings for 9th Annual Conference in New Interfaces for Musical Expression (NIME 2009), Pittsburg, Pa, USA:
Sponge: A Case Study in Practice-based, Collaborative Research 2005

Salter, Chris and Cognition. Sponge: A Case Study in Practice-based, Collaborative Research In Proceedings for the 4th Annual ACM Conference in Creativity and Cognition, Goldsmiths College, London, edited by Proceedings for the 4th Annual ACM
The Architecture of Listening, Crossfade: Sound Travels on the Web 2000

Chris Salter. The Architecture of Listening, Crossfade: Sound Travels on the Web .
Sponge: The Surface That Holds the Image is Unstable 2000

Chris Salter. Sponge: The Surface That Holds the Image is Unstable ec/artsS 2[00-01]: Special: Textualities and Nouvelles Technologies 2, no. 1 (Fall 2000).
The Cybernetic Stance: My Process and Purpose 1968

Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.
Artists on Their Art 1968

Roy, Ascott. Artists on Their Art Art International 12 (1968): 22.
The Construction of Change 1964

Ascott, Roy. The Construction of Change Cambridge Opinion, Modern Art in Britain January (1964): 37 - 42.
The Cybernetic Stance: My Process and Purpose 1968

Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.
Diagram Boxes and Analogue Structures 1964

Ascott, Roy. Diagram Boxes and Analogue Structures. London: 1964.

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