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  • OHP # -
    OHP III is a light installation that investigates the poetic potential of an obsolete technological medium, the overhead projector. The additional film rolls of the projector, usually manually operated, are moved and controlled through motors and
  • Telepresent Onlookers video
    The Telepresent Onlookers utilizes the EVE (1993) visualization system. In the centre of a large inflatable dome, two video projectors are mounted on a motorised pan/tilt device which can move the projected image anywhere over the inside surface of
  • Fleischmann, Monika; Strauss, Wolfgang; Li,Yinlin (2007) Gesture-based input device for a user interface of a computer. (US Patent 7,312,788, 2007).
    Fleischmann, Monika; Strauss, Wolfgang; Li,Yinlin (2007) Gesture-based input device for a user interface of a computer. (US Patent 7,312,788, 2007).
  • Metalogue -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Metalogue was titled after interdisciplinary
  • Jaron Lanier
    Jaron Zepel Lanier is an American computer scientist, best known for popularizing the term virtual reality (VR). A pioneer in the field of VR, Lanier and Thomas G. Zimmerman left Atari in 1985 to found VPL Research, Inc., the first company to sell
  • The Computer as a Communication Device
    Licklider, Joseph Carl Robnett. The Computer as a Communication Device Science and Technology (April 1968).
  • The Relative Velocity Inscription Device
    Vanouse, Paul. The Relative Velocity Inscription Device Signs of Life: Bio Art and Beyond, Ed. Eduardo Kac, MIT Press (2007): 277-283.
  • Device Art: A New Approach in Understanding Japanese Contemporary Media Art
    Kusahara, Machinko. Device Art: A New Approach in Understanding Japanese Contemporary Media Art In MediaArtHistories, edited by Oliver GrauCambridge, MA: MIT Press: 2007.
  • Post-Screen: Device Medium and Concept
    Ferreira, Helena and Ana Vicente, ed. Post-Screen: Device Medium and Concept. Lisbon: CIEBA-FBAUL, 2014.
  • Karl Salzmann
    Karl Salzmann (*1979 in Bludenz) is a sound and media artist currently based in Vienna. In his artistic practice he uses sound and noise and combines them in performance, conceptual and installation art. His work is characterized by the visual
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