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  • Cadence was screened daily in the artists’ animated film programme curated by Professor Suzie Hanna for the micro-kino outdoor cinema space, featuring animations that respond to the themes of nature and journey, specially created for the Sculpture
  • I was born in Venezuela and moved to the United States in 2000. I’m an artist originally trained as a Civil Engineer with a Master of Fine Arts degree with an emphasis in printmaking at the Florida Atlantic University. My current work explores a
  • Galapagos -
    Galápagos is an interactive Darwinian evolution of virtual "organisms." Twelve computers simulate the growth and behaviors of a population of abstract animated forms and display them on twelve screens arranged in an arc. The viewers participate in
  • David's 3D computer animation "Zikaron" was selected for screening at “CologneOFF 2011 Baltic Sea,” peer-reviewed digital video festival, National Center for Contemporary Art (NCCA), St. Petersburg, Russia, 2011
  • Since 1973, video contributions have taken an essential part in the International Forum of New Cinema at the International Film Festival. 1988, the MedienOperative showed its own programme under the name VideoFilmFest – usually it has only been the
  • Technological advances were growing at an exponential rate, and electronic art had started to invariably succumb to the digital. To deal with these developments, the VideoFest had restructured itself: video, television and multimedia were now given
  • Hong Kong In-Between -
    Hong Kong In-Between Gallery A38 A38 Hajó Budapest Petofi híd, budai hídfo 11 June 2019 - 25 June 2019 Opening: 11 June 2019, 5pm Exhibiting artists John Choy, Linda C.H. Lai, György Pálos, Bianka Parázs, Tamás Waliczky Video screening KVB (Közgáz
  • "Outside-in: exile at home" (2018 - 2021) is an installation by digital artist Annabel Castro. In the installation, using a machine learning algorithm, four classic fiction films are continuously torn apart inside a screening room.
  • Genetic Images -
    Genetic Images is a media installation in which visitors can interactively "evolve" abstract still images. A supercomputer generates and displays 16 images on an arc of screens. Visitors stand on sensors in front of the most aesthetically pleasing
  • Sequences of images were created that freely interpreted the themes of Peter Gabriel's song cycle to provide a continuous visual accompaniment to the live stage performance (Genesis world tour 1975). These slides were projected onto three screens