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  • Jorn Ebner
    Jorn Ebner was born in Bremerhaven, Germany in 1966 and lives in Berlin, Germany. He attended Universität Hamburg, Germany (1990-95), Fondazione Antonio Ratti, Italy (1997) and Central St Martins College of Art, London (1995-98). He has exhibited in
  • Ulrike Gabriel
    born 1964 in Munich; 1983-85 studied philosophy at the Ludwig-Maximilian-Universität, Munich; studied at the Akademie der Bildenden Künste, Munich; founder-member of «Otherspace»; work in the field of installation and interactive virtual
  • Martin Kusch
    Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • Rhizome_Raw: Database of Virtual Art, Humboldt University of Berlin
    Grau, Oliver. Rhizome_Raw: Database of Virtual Art, Humboldt University of Berlin Leonardo 8, no. 3 (March 2000): 5-6.
  • Tote Blicke. Geschichte der Porträtbildnerei in Wachs - ein Versuch
    Medicus, Thomas, ed. Tote Blicke. Geschichte der Porträtbildnerei in Wachs - ein Versuch. Berlin, DE: Akademie Verlag GmbH, 1993.
  • Jenny Holzer
    Jenny Holzer was born in Gallipolis, Ohio, in 1950. She received a BA from Ohio University in Athens (1972); an MFA from the Rhode Island School of Design, Providence (1977); and honorary doctorates from the University of Ohio (1993), the Rhode
  • Matt Mullican
    Matt Mullican is a artist use subjective cosmology strategies to represent the world and the human condition mainly in symbolical related forms . His work often take shape of immersive installations and make use of analog techniques and
  • Thomas Hobbes: Visuelle Strategien
    Bredekamp, Horst. Thomas Hobbes: Visuelle Strategien. Berlin: Akademie Verlag GmbH, 2002.
  • Antikensehnsucht und Maschinenglauben: Die Geschichte der Kunstkammer und die Zukunft der Kunstgeschichte
    Bredekamp, Horst. Antikensehnsucht und Maschinenglauben: Die Geschichte der Kunstkammer und die Zukunft der Kunstgeschichte. Berlin-Wilmersdorf: Wagenbach, 1993.
  • Medien als Maske: Videokratie
    Weibel, Peter. Medien als Maske: Videokratie In Von der Bürokratie zur Telekratie. Rumänien im Fernsehen. Ein Symposium aus Budapest, edited by Peter Weibel and Keiko Sei, 124-149. Berlin: Merve Verlag, 1990.
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