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Media Art Futures
2015
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2015
The Media Art Futures festival organized its first edition in Murcia between 15 and 30th April, 2015. It included an international conference, workshops and a series of screenings of film, documentaries, video documentation and digital art works.
European Media Art Festival 1996
1996
In 1996, the festival was still held in September, unlike later, when it was traditionally held in spring. This year, the film programme was put together in cooperation with the Swiss Film, Video and Multimedia Festival VIPER. It presented
070707 UpStage Festival
2007
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2007
The first UpStage Festival was part of the launch of UpStage 2 and took place on July 7 2007. Thirteen performances were presented in UpStage by artists from around the world, performed online for audiences around the world and simultaneously
Raveningham Sculpture Trail
2022
Cadence was screened daily in the artists’ animated film programme curated by Professor Suzie Hanna for the micro-kino outdoor cinema space, featuring animations that respond to the themes of nature and journey, specially created for the Sculpture
Linda Behar
I was born in Venezuela and moved to the United States in 2000. I’m an artist originally trained as a Civil Engineer with a Master of Fine Arts degree with an emphasis in printmaking at the Florida Atlantic University. My current work explores a
The Aesthetics of Trans Media and the Humanities Across Media Platforms: Public Artist Screenings and Dialogues
2018
Event: The Aesthetics of Trans Media and the Humanities Across Media Platforms: Public Artist Screenings and DialoguesInstitution: Dongguk University and Cornell UniversityComment:
Watching the Borders and Peeking Beyond: Astronomical Demonstration Instruments as a Challenge for Screenology
2014
Huhtamo, Erkki. Watching the Borders and Peeking Beyond: Astronomical Demonstration Instruments as a Challenge for Screenology Écranosphère 1, no. 1 (Winter 2014).
Galapagos
1997
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1997
Galápagos is an interactive Darwinian evolution of virtual "organisms." Twelve computers simulate the growth and behaviors of a population of abstract animated forms and display them on twelve screens arranged in an arc. The viewers participate in
CologneOFF 2011 Baltic Sea, National Center for Contemporary Art (NCCA), St. Petersburg, Russia
2011
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2011
David's 3D computer animation "Zikaron" was selected for screening at “CologneOFF 2011 Baltic Sea,” peer-reviewed digital video festival, National Center for Contemporary Art (NCCA), St. Petersburg, Russia, 2011
VideoFilmFest '88
1988
Since 1973, video contributions have taken an essential part in the International Forum of New Cinema at the International Film Festival. 1988, the MedienOperative showed its own programme under the name VideoFilmFest – usually it has only been the
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