Archive Search

  • Bredekamp, Horst. Kunstgeschichte im "Icon Turn". Interview mit Hans Dieter Huber und Gottfried Kerscher Kritische Berichte. Zeitschrift für Kunst- und Kulturwissenschaften 26, no. 1 (1998): 85-93.
  • Kluszczyński, Ryszard W.. The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art In Martinis – Observatorium: Video/Audio/Interactive Installations [La Biennale di Venezia. XLVII Esposizione Internazionale d'Arte], edited by
  • Scholar: Berit Hummel
  • Inversion (2001) is a new dance/installation, a collaboration with the Dancer/Choreographer Regina van Berkel that explores the topic of Nanotechnology through a poetic text, a musical score, the A Hybrid Invention Generator like system functioning
  • Exchange Fields (with Dancer Regina van Berkel) was fully remade - digitising all of the videodisc materials, and authoring a new fully Digital Version. This project was done in Conjunction with IMAI institute - Intermedia Art Institute
  • Mori -
    In Mori, the immediacy of the telematic embrace between earth and visitor questions the authenticity of mediated experience in the context of chance, human fragility, and geological endurance. Mori engages the earth as a living medium. Minute
  • Landstream -
    Landstream visualizes the flux produced by communication technologies, the invisible signals which cross through us, and of which we are, most of the time, completely unaware. A programme analyses the flux running through a space, and transforms the
  • Goldberg, Ken and Dezhen Song. The Co-Opticon: Shared Access to a Robotic Streaming Video Camera In ACM MultiMedia Conference, Berkeley, November 2003, Berkeley, CA: 2003.
  • Mirrors
    MIRRORS Commissioned by Artwise Curators for REGUS HQ, Berkeley Square, London / 2009 ‘Mirrors’ in London’s Bruton Street is rAndom’s first permanent installation in the UK and has been completed in early April 2009. Evolving from the