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  • AVATARS! Exploring and Building Virtual Worlds on the Internet
    Damer, Bruce. AVATARS! Exploring and Building Virtual Worlds on the Internet. Berkeley, California: Peachpit Press, 1998.
  • Den Himmel muss man sich wegdenken
    This film shows a monochrome landscape beneath a strip of sky. At first barely perceptible, a subtle movement is noted throughout the peaked contours of the waves—an organic contraction and expansion of a mountain-like skin. It is with the congealed
  • Prometheus/Hysterical Duet- Interactive Performance -
    A male and a female body (Yiannis Melanitis, Marianna Ranis), are suspended 6m from the ground facing each other. An electronic device (a hexapod robot) is attached to the woman's belly pointing towards the abdomen of the male body with its
  • PEAM 2004 -
    Event: PEAM 2004Institution: Pescara Electronic Artists Meeting (PEAM)Comment:
  • PEAM 2005
    Event: PEAM 2005Institution: Pescara Electronic Artists Meeting (PEAM)Comment:
  • PEAM 2k6
    Event: PEAM 2k6Institution: Pescara Electronic Artists Meeting (PEAM)Comment:
  • Hartmut Jahn
    Hartmut Jahn is a German artist, film-director and author in the field of media. He has been appointed Professor in the Media Design department at Mainz University of Applied Sciences in 1998. Since 2011 he has been director / speaker of the Mainz
  • On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis?
    Kera Denisa. On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis? In Pedagogies of Disaster, edited by Adam Staley Groves Vincent W.J. van Gerven
  • The Interactive Book: A Guide to the Interactive Revolution
    Pearce, Celia. The Interactive Book: A Guide to the Interactive Revolution. Indianapolis: MacMillan Technical Publishing, 1997.
  • Scarlet(t) -
    This work uses a feature tracking algorithm to extract Scarlett Johanssen’s iconic lips from the costume drama “Girl with a Pearl Earring”. Extracting this one signifier, Scarlett’s mouth, wrenches the true subject of the movie – her lips, and their
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