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  • Turnstile II creates a virtual gateway where an endless realm of content is generated by the live culling of network objects from HTML pages, live chat and email archives. Through a familiar interface of a typewriter printing characters onto the
  • Statement of the artist Peter Weibel: "I am holding a speech about the end of time. At the same time blood runs out of my arm into a glas canvas, which covers the whole tv-screen ( the camera is located behind the glas canvas and remains static).
  • When a visitor steps on one of the 32 sensors on the floor, a screen in front of her shows one of four little digital worlds, that are partly controllable by the viewer. Hypothetical creatures, autonomous and life-like, live in these worlds.
  • "Arabesque" is a kinetic artwork with roots in Mary Shelley's Frankenstein and the Alchemist's Laboratory. A composition of life-sized cast human body parts (incidentally casts of my own body). These translucent entities impaled upon their internal
  • ... Gansing (who was not on the panel but sitting in... the genre of artwork - being shown. Is this how he...
  • ... and correlate with one another, while Weibel also... the participants are being filmed upon entering a...
  • Two video projections are confronted on the same screen. The first shows the bodies of African dancers in exultant movements, gradually moving into a trance. The other presents the State’s armed forces: the worrying and repressive face of the
  • Doors -
    ... centre, opening onto another door in the image on the...
  • Continuum
    ... it. Anything that does not move is not reflected but is...
  • ... was first shown at Postmasters gallery in NYC in 1999....