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Comparison of Human Sensory Capabilities with Technical Specifications of Virtual Environment Equipment 1995

Barfield, Woodrow and Claudia Hendrix and Kurt Kaczmarek and Lotens, Wouter. Comparison of Human Sensory Capabilities with Technical Specifications of Virtual Environment Equipment Presence 4, no. 4 (1995): 329-356.
WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia Performance using Real-time Interaction. 2011

Garavaglia, J. and C. Robles. WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia Performance using Real-time Interaction. proceedidings ISEA , no. 2011 (2011).
WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia Performance using Real-time Interaction. 2011

Garavaglia, J. and C. Robles. WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia Performance using Real-time Interaction. proceedidings ISEA , no. 2011 (2011).
VideoFest '89 1989

In only its second year, VideoFest has become the largest european video festival. Video is a young artform; from the beginning, it has been a reaction to the “brave new world” of the highly technical mass societies with all their computers, nuclear
Sommerer, Christa, "Interface Culture: The Art and Science of Invention", Lecture at Technological and Aesthetic Transformations of Society, Technical University Darmstadt (Germany), 13.10.2005 2005 - 2005

Event: Sommerer, Christa, "Interface Culture: The Art and Science of Invention", Lecture at Technological and Aesthetic Transformations of Society, Technical University Darmstadt (Germany), 13.10.2005Institution: Technische Universität
National Flowers [Reflection] 2020 - 2021 video

Peeping into a mirror-clad triangular prism, a surveillance camera observes images of its own species, while the kaleidoscopic reflections turn the devices into floral ornaments, referring to the ever-growing arrays of CCTV equipment in a tropical
Eternal Summer 2000 - 2000

"Eternal Summer" is a site-specific, 4 screen installation commissioned for the waiting room of the Ebner, Stolz & Partners corporate office at the Kronencarre building in Stuttgart, Germany. The concept of the installation in the waiting room
SELF-PORTRAIT – CAMERA ORALIS 2012

Digital print on plexiglass Variable dimensions This series of photographs was produced using a particular form of camera obscura created by the artist’s mouth. Technically the images are based on the use of a small piece of photosensitive paper
Cyber Récréation. Ars Electronica 1996 1996

Benayoun, Maurice. Cyber Récréation. Ars Electronica 1996 Technicart (1996).
Tweak Exhibition 2010

Digital technology has become a medium that has redefined the arts broadening horizons and changing practices. The works in this exhibition explore interactivity and the possibilities opened up by multimedia and electronic technologies to create

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