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  • Echoing Narcissus -
    Echoing Narcissus is an interactive sound-sculpture in the form of a well, covered in copper sheet and printed circuit boards. It is a re-telling of Ovid's myth of Narcissus and Echo. All sounds made in the proximity of the sculpture are
  • RECORD > AGAIN! Part 2 18.07.2009 – 06.09.2009, ZKM | Media Museum, Project Room Description »RECORD > AGAIN! - 40yearsvideoart.de - Part 2« concentrates on early German video art and shows numerous discoveries, which, for the most part, have no
  • Del Favero, Dennis and Neil Brown and Jeffery Shaw and Weibel, Peter. Interactive Narrative as a Form of Recombinatory Search in the Cinematic Transcription of Televisual Information. : 2003.
  • Dust -
    2012 LABORATORIA Moskow, Art & Science Space( 29th.March.2012 until 1th5 July 7.2012) Exhibition: "DUST," Curators: Daria Parkhomenko, Simon Mraz Artists: Herwig Weiser, Erwin Wurm, Christa Sommerer & Laurent Mignonneau, Dietmar Offenhuber, Markus
  • WHITE CUBE alpha exhibition The Age of Experience curated by Harald Kraemer, CMC Gallery, School of Creative Media City University, Hong Kong Seeking the common denominator of all contemporary artworks, in spite of their spectacular diversity, the
  • Dietz, Steve. Telling Stories: Procedural Authorship and Extracting Meaning from Museum Databases Museums and the Web (online publication) (March, 12th 1999).
  • Event: Telling StoriesInstitution: Last Life, Triennale, MilanComment:
  • “On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s
  • Website MMM -
    The web site MMM is based on the work-in-progress (The) Bride Descending a Staircase, developed by Simone Michelin, in Porto Alegre, Rio de Janeiro (BR), Philadelphia and New York (US), from 1989 to 1999. The series had a latter version created for
  • Digital Mudra -
    "Digital Mudra" begins with a collection of photographs from Rapoport's interactive performance entitled Biorhythm (1983). Participants, to test their own evaluation of their biorhythm condition against a computer assessment of their