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Occupy Wall Screens, Emotion Forecast, Still Moving and NeORIZON 2012

Event: Occupy Wall Screens, Emotion Forecast, Still Moving and NeORIZONInstitution: Big Screen Plaza, Manhattan NYCComment:
Will the VRoovie replace the Movies? From immersion to Critical Fusion, How Media Art opened the path to new narratives beyond the screen: VR, AR and after ... 2019

Event: Will the VRoovie replace the Movies? From immersion to Critical Fusion, How Media Art opened the path to new narratives beyond the screen: VR, AR and after ...Institution: International Symposium on Chinese Cinema in the 21st
Digital Dreams – exhibition at Manege / MediaArtLab in the context of the III Moscow International Forum for Innovative Development "Open Innovations" 2014 - 2014

Event: Digital Dreams – exhibition at Manege / MediaArtLab in the context of the III Moscow International Forum for Innovative Development "Open Innovations"Institution: Museum of Screen Culture (MediaArtLab)Comment:
print on screen 2000 - 2000

Event: print on screenInstitution: Ars Electronica Linz GmbH & Co KGComment:
Print Screen Festival 2017 2017 - 2017

Event: Print Screen Festival 2017Institution: Holon MediathequeComment:
Media Facades 2008 - 2010

MYTHS AND POTENTIALS OF MEDIA ARCHITECTURE AND URBAN SCREENS Initiated by Mirjam Struppek & Susa Pop, Public Art Lab in cooperation with Media Architecture Group Vienna and the German Center for Architecture (DAZ) Urban Screenings: 16th Oct -
Beyond the Screen- All Targets Defined 2006 - 2006

Event: Beyond the Screen- All Targets DefinedInstitution: Galerie Grita InsamComment:
Beyond the Screen 1993 - 1993

Event: Beyond the ScreenInstitution: allerArt BludenzComment:
Não! 1982

"Não!" is organized in text blocks which circulate in virtual space at equal intervals, leaving the screen blank prior to the flow of the next text block. The visual rhythm thus created alternates between appearance and disappearance of the
Wine 1996

A delicate and silent animation. It suggests an inebriate mental state in which foreground and background blend in almost undifferentiated fashion. The poem articulates the fleeting apparitions of the words from within themselves, as if one word

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