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  • Timo Kahlen: carpe diem, 2011 interactive net art -
    In Timo Kahlen's interactive film and sound projections, 21 works of net art (2005 - 2020), complex and subtle compositions of text, image, sound and vibration are generated - always different and live - according to the varying position, direction
  • Timo Kahlen: UR, 2006 -
    In Timo Kahlen's interactive film and sound projections, 21 works of net art (2005 - 2020), complex and subtle compositions of text, image, sound and vibration are generated - always different and live - according to the varying position, direction
  • Ian Andrews & Timo Kahlen: Sound Drift -
    In Timo Kahlen's interactive film and sound projections, 21 works of net art (2005 - 2020), complex and subtle compositions of text, image, sound and vibration are generated - always different and live - according to the varying position, direction
  • Between Zero and One
    Strauss, Wolfgang and Monika Fleischmann. Between Zero and One BETWEEN ZERO AND ONE (1988) by Monika Fleischmann and Wolfgang Strauss (MFWS) exemplifies generative art by exploring virtual space through systematic computational transformations of 3D
  • Presence as Being-in-the-World
    Zahorik, Pavel. Presence as Being-in-the-World Presence: Teleoperators and virtual Environments 7, no. 1 (February 1998): 78-89.
  • Rats/Ratten, 72 p. German/English
    Alexander Hahn and Edith Decker and Pavel Meyer. Rats/Ratten, 72 p. German/English. Berlin: DAAD Galerie, 1994.
  • Corpo – Imagem, Representações do Corpo na Ciência e na Arte -
    Event: Corpo – Imagem, Representações do Corpo na Ciência e na ArteInstitution: Pavilhão do ConhecimentoComment:
  • Three Pavilions
    Three inflatable pavilions, each having a specific function, were specially commissioned for Sonsbeek buiten de perken. Besides the Information Pavilion, an air supported semi-sphere covered with sythetic grass, and the Video Studio, a tensile
  • Chapter "Postmodern Aesthetics as Obscene Super-ego: Anxieties of Photography" in Function/fiction : utilitarian images reconfigured – Sylvia Grace Borda, Tacita Dean, Rod Dickinson, Michael Klier, Manu Luksch, Chris Marker, Pavel Pavlov, Walid Raad et
    Burnham, Clint. Chapter "Postmodern Aesthetics as Obscene Super-ego: Anxieties of Photography" in Function/fiction : utilitarian images reconfigured – Sylvia Grace Borda, Tacita Dean, Rod Dickinson, Michael Klier, Manu Luksch, Chris Marker, Pavel
  • Made In China -
    Made in China: Return of the Soul is a 90 minute dance-theater adaptation and revisioning of Tang Xianzu's Peony Pavilion, one of the most famous plays in all of classical Chinese literature and drama. The story of Du Liniang, the 16 year old
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