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  • LEIKHEN -
    Inspired by the composite plant of lichen (from Greek: leikhen), which is the result of a hybrid partnership between a fungus and an alga. The installation is therefore a reflection upon the interaction and mutualistic relationship between two
  • Digital Mudra -
    "Digital Mudra" begins with a collection of photographs from Rapoport's interactive performance entitled Biorhythm (1983). Participants, to test their own evaluation of their biorhythm condition against a computer assessment of their
  • Wavefunction -
    Wavefunction is a kinetic sculpture comprised of fifty to one hundred Charles and Ray Eames moulded chairs (designed in 1948) and placed in a regular array of rows, facing the entrance to the exhibition space. When someone approaches the work, a
  • Maurice Benayoun
    Born in Mascara, Algeria in March 1957, from a father killed before his birth in the Algerian independence war. He moved to France in 1958, following his mother and his brother, to live in popular suburbs in north Paris where the family stayed
  • Sylvia Grace Borda
    Borda is a practising media artist and curator with over a decade of experience in lecturing about photography and Western art histories. She is also considered a Canadian pioneer in leading media innovation through the adaptation and re-use of
  • Sara Diamond
    Dr. Sara Diamond is the President of OCAD University, Canada's "university of the imagination". She holds a PhD in Computing, Information Technology and Engineering from the University of East London, a Masters in Digital Media theory from the
  • Ellen Sandor
    Ellen Sandor is a new media artist, and Founder/Director of the collaborative artists’ group, (art)n. In 1975, she received an MFA in Sculpture from the School of the Art Institute of Chicago. Her MFA studies at SAIC led her to explore the
  • L´art biotech ou quand l´art se fait chair
    Browaeys, Dorothée Benoit. L´art biotech ou quand l´art se fait chair L´Observatoire de la génétique 10 (March-April 2003).
  • Virtual Borders and Surveillance in the Digital Age :: Visit-US -
    Presented paper "Virtual Borders and Surveillance in the Digital Age :: Visit-US" and screened 3D computer animation, "Visit-US," at ISEA 2008. SESSION TITLE: BORDER RECKONINGS, BORDER CROSSINGS 2 (CHAIR: FLORIAN SCHNEIDER)
  • Beyond Pages -
    Masaki Fujihata calls many of his works “experiments”. To him, BEYOND PAGES is a piece of art. This is among others due to the well-defined framework conditions that—contrary to many of his other works—are not designed as an open process. The
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