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  • ... side is to declare the relation between the two. The marks and icons of computer software are purposely kept on the top and the...
  • Making of Eve Clone I -
    ... and timeline. I also intentionally kept the patterns, symbols, icons, and images that only the computer can create so as to contrast...
  • ... and timeline. I also intentionally kept the patterns, symbols, icons, andimages that only the 3D software can create. I think it is... on Making of Eve Clone II, which is an interactive work forlearning human facial expressions. I am developing a new work...
  • ...This essay by former research assistant Isabella Iska at the Center for Image Science, is a tribute to the artist, scholar, professor and...
  • Media Art Learning -
    ... mit Schnittstellenverfremdung. Sie experimentieren mit Formen der Umwandlung digitaler Ein- und Ausgabemedien und erlernen...
  • FACT Centre -
    ... of alpha-numeric characters (2 side-by-side) and custom icons. As the roofline of the building is visible from many parts of... lighting scheme During the early stages of the building design a concept for the external skin of the building was defined. As the building...
  • Bertram, Ursula, ed. Kunst fördert Wirtschaft: Zur Innovationskraft des künstlerischen Denkens. Bielefeld: transcript Verlag, 2012.
  • ... systems. The matrix of light words is complemented with icons, which are likewise generated by the light sticks – image... objects 'MotU #1 to #3' present onomatopoetic stories and form exemplary linguistic reference systems. The matrix of light words...
  • Light object, project commissioned by the association (Förderverein) of the archive, museum and gallery of the city of Offenburg.
  • ... acrylic plate, not only contrasting with the computer symbols, icons, numbers and graphic on the top and bottom of the prints, but... in golden ratio, the number of the beast 666 is marked upon her forehead and right hand. Therefore, images of different parts of “Eve...