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  • Martin Kusch
    Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • David Link
    David Link is a media artist and researcher. Between 2009 and 2011 he was Chair for Experimental Technologies in the Art Context at the Academy of Visual Arts Leipzig. In 2004, he wrote his PhD in philosophy at Humboldt-University Berlin, and the
  • The Influencing Machine of Miss Natalija A.
    Beloff, Zoe. The Influencing Machine of Miss Natalija A. Rhizomes 6 (Spring 2003).
  • Doctor Faustus and the Universal Machine
    Beloff, Zoe. Doctor Faustus and the Universal Machine .
  • machine affection
    Cade, France. machine affection NEURAL 32 (Spring 2009).
  • Emotion Vending Machine
    Bennayoun, Maurice. Emotion Vending Machine In Smile Machines, , 100-101. Berlin: Duguet, Anne-Marie, 2006.
  • William Latham
    William Latham's Computer Artworks In 1990 Mark Ayres was commissioned by artist William Latham (then Visiting Fellow at the IBM UK Scientific Centre) to compose a score for his Computer Art film The Evolution of Form. The result was highly
  • Lawrence Malstaf
    The work of Lawrence Malstaf can be situated on the borderline between the visual and the theatrical. After having studied industrial design, Lawrence Malstaf starts of in theatre. He designs scenographies for choreographers and directors as Benoît
  • Machine Times
    Brouwer, Joke. Machine Times. Rotterdam: NAI Publishers, 2000.
  • Cybernetics, or Control and Communciation in the Animal and the Machine
    Wiener, Norbert. Cybernetics, or Control and Communciation in the Animal and the Machine. Cambridge, MA: The MIT Press, 1961.
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