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  • La relation comme forme. L´interactivité en Art
    Centre pour l´image contemporaine, Saint-Gervais, Genéve and l´Université Paris 8, ed. La relation comme forme. L´interactivité en Art. Dijon, France: Les Presses du Réel, 2004.
  • Sylvia Eckermann
    Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
  • Esthétique des arts médiatiques: Interfaces et Sensorialité
    Poissant, Louise, ed. Esthétique des arts médiatiques: Interfaces et Sensorialité. Saint-Etienne: Publications de l´Université de Saint-Etienne, 2003.
  • Jardin & design
    Caraës, Marie-Haude and Chloé Heyraud. Jardin & design. Saint-Étienne: Cité du design/Actes sud, 2010.
  • "7 envies capitales", for catalog "Art grandeur nature"
    Marguerin Mathieu. "7 envies capitales", for catalog "Art grandeur nature". Saint-Ouen, France: ,, 2004.
  • ALGORITHMIC TRANSFORMATIONSFROM ART BY HAND TO ART BY CODE
    Verostko, Roman. ALGORITHMIC TRANSFORMATIONS FROM ART BY HAND TO ART BY CODE. Pennsylvania: The Saint Vincent Gallery, 2015.
  • Laura Netz
    Laura Netz (Barcelona, 1982). Curator, artist, and researcher. Currently, she is an MPhil student at CRiSAP – UAL, where studies the new tendencies in curatorial practices in sonic arts. In 2006, she graduated in Art History (University of
  • Jorn Ebner
    Jorn Ebner was born in Bremerhaven, Germany in 1966 and lives in Berlin, Germany. He attended Universität Hamburg, Germany (1990-95), Fondazione Antonio Ratti, Italy (1997) and Central St Martins College of Art, London (1995-98). He has exhibited in
  • Conor McGarrigle
    ... are entangled in all aspects of everyday life. This practice is focused on approaches...
  • Landing Home in Geneva -
    Digital video installation The project was initiated with prof.Jean-Louis Boissier and Daniel Pinkas and produced with Haute Ecole d'arts appliques de Geneva, and was shown at the Centre pour L'image Contemporarie, Saint Gervais Geneva.
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