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Arte y robótica. La tecnología como experimentación estética
2016
Iglesias, Ricardo. Arte y robótica. La tecnología como experimentación estética. ISBN: 978-84-15715-74-0. th ed.Madrid: Casimiro, 2016.
Featured Artist Marta de Menezes
02/2017
.. an artist, writer and curator, who has worked in the field of Bio Art since the late Nineties ..
@art : A Cyberart show by Lin Hsin Hsin, ISBN: 978-981-00-9877-3,http://www.lhham.com.sg/15solo/15ctlg.html
1997
Lin Hsin Hsin. @art : A Cyberart show by Lin Hsin Hsin, ISBN: 978-981-00-9877-3, http://www.lhham.com.sg/15solo/15ctlg.html. Vol.1. 1 th ed.SIngapore: Lin Hsin Hsin Art Museum, 1997.
Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum Kritische Szenografie: Die Kunstausstellung im 21. Jahrhundert, edited by Kai-Uwe Hemken, Bielefeld: transcript Verlag, 2015, pp. 301-314. https://doi.org/10.1515/t
2015
Fleischmann, Monika and Wolfgang Strauss. Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum Kritische Szenografie: Die Kunstausstellung im 21. Jahrhundert, edited by Kai-Uwe Hemken, Bielefeld: transcript
Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum
2015
Fleischmann, Monika and Wolfgang Strauss. Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum In Kritische Szenografie:Die Kunstausstellung im 21. Jahrhundert, edited by Kai-Uwe Hemkenhttps://
William Kentridge: What will come…has already come
2007
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2007
Mit der Präsentation neuer Arbeiten – Zeichnungen, Drucke, Stereoskopien und einer 8-minütigen filmischen Anamorphose – schließt William Kentridge sein Engagement als erster Inhaber der Max-Beckmann-Stiftungsprofessur in Frankfurt ab. Kentridges
GLITCHES_DIARIES of PURE_DESKTOP
2011
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2017
GLITCHES_DIARIES of PURE_DESKTOP The installation explore the visual representation of data: I was capturing screenshots of my desktop´s activities during 6 months. The obtained images were manipulated with algorithms and recaptured in order to
Book Plumbing
1967
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1967
This was a mixed-media installation using books in various ways, a material which John Latham was using extensively in his artistic practise at this time. One of the centerpieces was a performance using a Penguin bookcase in which all the books were
Corinne Whitaker
AKA the Digital Giraffe, with 46 years experience as a Digital Painter and Digital Sculptor. Editor, programmer, designer, author the Digital Giraffe eZine (www.giraffe.com), an award-winning monthly journal of art and culture now in its 30th year
Forty Part Motet
2001
Thomas Tallis, one of the most influential English composers of sixteenth century, wrote Spem in Alium nunquam habui, a choral work for eight choirs of five voices, to mark the fortieth birthday of Queen Elizabeth I in 1575. This piece of music
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