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  • Real Snail Mail Slashdot
    Boredomresearch. Real Snail Mail Slashdot Slashdot (Online) (June 2008).
  • Reality Sucks -
    A site-specific telescope that manipulates reality.
  • RECORD > AGAIN! - 40yearsvideoart.de – Part 2 -
    RECORD > AGAIN! Part 2 18.07.2009 – 06.09.2009, ZKM | Media Museum, Project Room Description »RECORD > AGAIN! - 40yearsvideoart.de - Part 2« concentrates on early German video art and shows numerous discoveries, which, for the most part, have no
  • Redoubt: the old Therapeutic Institution -
    This work involved a rewiring of Block 72E, which used to be a dental centre in Tanglin military medical camp. About 4 years ago the plug was finally pulled on Tanglin Camp, a former colonial military installation. The plumbing, electrical and
  • Repositioning Fear - video
    Relational Architecture 3 RE:Positioning Fear was the third relational architecture project. A large scale installation on the Landeszeughaus military arsenal with a “teleabsence” interface of projected shadows of passers-by. Using tracking
  • Residues - video
    "Residues" is a multimedia installation which mixes materials and supports as large photographies, pigments, water, oil reflexion, electronic screens which are present in the same space with the electronic images. The screens show post-production
  • Review of the 080808 UpStage Festival
    Hadley, Bree. Review of the 080808 UpStage Festival Australian Stage Online (2008).
  • Ricardo Dal Farra
    Dr. Ricardo Dal Farra (Buenos Aires, 1957) is a composer and new media artist, educator, historian, and curator working in the intersection of the arts, sciences, and technology. He is a Professor at the Music Department of Concordia University,
  • Riot -
    Alternative web browser: The Tompkins Square riots and the state sponsored enforcement of gentrification in New York's East Village in the '90s inspired Riot, an alternative browser that crosses the virtual boundaries in the web. Riot breaks the
  • Roz Dimon
    Roz Dimon is an artist who has been painting with a digital brush for over 30 years after her oil paintings began to fill with pixels in the 1980s. Her work in digital media was featured in 1991 in Forbes Magazine with David Hockney and she has
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