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FILE - Electronic Language International Festival
2000
Art Takes a Genetic Engineering Leap
2000
Manier, Jeremy. Art Takes a Genetic Engineering Leap Chicago Tribune , no. 19 (September 2000): Section 2, p.3.
Homage to M.C. Escher
2000
Emmer, Michele. Homage to M.C. Escher Leonardo 33, no. 1 (February 2000).
Electronic Art Exhibition catalog
2000
DOMINGUES, DIANA MARIA G. Electronic Art Exhibition catalog In 13th Brazilian Symposium on Computer Graphics and Image Processing, edited by DIANA MARIA G DOMINGUES, 27-28. Caxias do Sul: Lorigraph, 2000.
Oliver Grau
20 years Chair Professorships for Image Science. More than 350 lectures and keynotes worldwide, including Olympic Games culture program and G-20 Summit. Grau's “Virtual Art. From Illusion to Immersion”, MIT Press 2003 (Book of the Month, Scientific
Interatividade e ritual: diálogos do corpo com os sistemas artificiais
2000
DOMINGUES, DIANA MARIA G. Interatividade e ritual: diálogos do corpo com os sistemas artificiais Informática na Educação, UFRGS- Porto Alegre 3, no. 1 (2000): 111-120.
I N S N (H) A K (R) E S
2000
-
2000
This installation was mounted in November 2001 in Athens, Greece, during the media@terra event, as a Brazilian representation artist. DOMINGUES, Diana . INS(H)NAK(R)ES. Media@Earth 2000, Athens, p. 37-38, 2000
ADA_ArtistInterview_SuzanneAnker.pdf
ADA Artist Interview with Suzanne AnkerArchive of Digital Art, September 2021Full text and interview by Carla Zamora on ADA:https://www.digitalartarchive.at/features/featured-artists/featured-artist-suzanne-anker.htmlYou are considered being a
ADA_Feature_Diana_Domingues.pdf
Diana DominguesThe Archive of Digital Art, 07/2023Text, Editing & Interview by Carla ZamoraShe has an immense and multifaceted body of work, revealing an enormous talentopening to multiple dimensions. (…) And in my opinion, the contents in
ADA_KONDITION_PLURIEL_FEATURE_270224.pdf
KONDITION PLURIELThe Archive of Digital Art, 03/2024Text & Interview by Alejandro Quiñones Roa“Integrating body-based performance and digital arts, the artists generate alanguage outside of established disciplines, focusing as much on the
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