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  • Teacup Tools
    ... nomadic quality. Like parasites they can be...
  • Al GRANO: Corn Regime -
    “Al Grano: Corn Regime” addresses the livelihood struggles of maize growers in Mexico – center of origin, domestication and biodiversity of maize - and the balance/unbalance created by environmentally sustainable and exploitative agro-practices
  • Where are you from?-Stories. Version 09 -
    Where are you from?_Stories / Version 09 Date: 2009 Materials: interactive media installation. Measurements: variable (black box) Other information: Group exhibition held at: Espacio Fundación Telefónica, Buenos Aires, Argentina, July 8th –
  • Diaa Ahmedien
    Diaa Ahmed Mohamed Ahmedien is a lecturer in sciences of visual arts and sciences of New-Media Arts. He is an artist, educator, researcher, and creator to setup systems of artworks, basically depending on the intersection between art, sciences, and
  • Roz Dimon
    Roz Dimon is an artist who has been painting with a digital brush for over 30 years after her oil paintings began to fill with pixels in the 1980s. Her work in digital media was featured in 1991 in Forbes Magazine with David Hockney and she has
  • Karl Sims
    Karl Sims studied computer graphics at the MIT Media Lab and Life Sciences as an undergraduate at MIT. He currently leads GenArts, Inc. in Cambridge, Massachusetts, which creates special effects software for the motion picture industry.
  • Collaboration between the Arts and the Sciences
    Sommerer, Christa. Collaboration between the Arts and the Sciences In Ars Electronica Center - Museum of the Future, , 120-125. Linz: Linz Landesverlag, 1996.
  • Premiers pas dans la transparence
    Deleage, Jean-Rémi. Premiers pas dans la transparence Sciences et Avenir 591 (May 1996): 82.
  • Visualization in the Life Sciences
    Cox, Donna. Visualization in the Life Sciences In Aesthetic Computing, edited by Paul FishwickThe Leonardo Book Series, , 89-14. Cambridge, MASS: MIT Press, 2006.
  • Esteban Garcia Bravo
    Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
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