Archive Search

  • Reinhuber, Elke and Benjamin Seide and Ross Williams. The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours Electronic Visualisation and the Arts (July 2018): 236-243.
  • van der Meulen, Sjoukje. Between Benjamin and McLuhan: Vilém Flusser’s Media Theory,” New German Critique 110 (Summer 2010): 180-209. New German Critique , no. 110 (2010): 180-209.
  • Ackers, Susanne. Consciousness, Art, and Media In Dimensions of Conscious Experience, edited by Paavo Pylkkänen and Tere Vaden, 179-190. Amsterdam: Benjamins, John, 2001.
  • Vanouse, Paul and Michael Mateas and Steffi Domike. A Recombinant History Apparatus presents Terminal Time Narrative Intelligence, John Benjamins Press (2002): 155-173.
  • Bennayoun, Maurice. Emotion Vending Machine In Smile Machines, , 100-101. Berlin: Duguet, Anne-Marie, 2006.
  • Eduardo Kac pioneered telepresence art in 1986, when he created his first wireless robot, a remote-controlled anthropomorphic figure through which human participants could engage in conversation. In 1989 Kac developed with Ed Bennett the telerobot
  • A-Positive -
    A-positive, a dialogical event created by Ed Bennett and myself, probes the delicate relationship between the human body and emerging new breeds of hybrid machines that incorporate biological elements and from these elements extract sensorial or
  • Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.
  • The ToyBox -
    The ToyBox was a project developed as part of Video Positive 95. The piece was an anthology of artist's works contained on a CD-ROM, published and sold during the festival in Liverpool. Each artist was asked to respond to the idea of creating a
  • Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.