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  • Die interaktive Porträtsammlung des Museums für Kommunikation -
    Installation vidéo interactive utilisant quatre ordinateurs en réseau munis de plaques tactiles, quatre lecteurs vidéosiques et quatre projecteurs vidéo. Quatre écrans, quatre personnages (Rebecca, Lotti, Benoit et Monsieur Gurtner) qui
  • Temple -
    Media:loudspeakers, amplifiers, telephone number Dimensions:24" x 20" x 20" Description: adaptation of the Delphi "Tholos" Temple Ruin. Electroacoustic Sculpture made of 3000 recycled loudspeakers, amplifiers and radios. Sound: white noise. People
  • Lawrence Malstaf
    The work of Lawrence Malstaf can be situated on the borderline between the visual and the theatrical. After having studied industrial design, Lawrence Malstaf starts of in theatre. He designs scenographies for choreographers and directors as Benoît
  • L´art biotech ou quand l´art se fait chair
    Browaeys, Dorothée Benoit. L´art biotech ou quand l´art se fait chair L´Observatoire de la génétique 10 (March-April 2003).
  • Aesthetics of the Worst, the first simposium of the Centre Pompidou Metz
    Kisseleva Olga and Pelt Jean-Marie and Toma Yann and Vesna Victoria and Mangin Benoit and Laval-Jeantet Marion and Lageira Jacinto and Glissant Edourad and Clement Gilles. Aesthetics of the Worst, the first simposium of the Centre
  • bit international 1 - the theory of information and new aesthetics
    Bense, Max and Abraham A. Moles, ed. bit international 1 - the theory of information and new aesthetics. Zagreb: Galerije grada Zagreba, 1968.
  • Weir: the infrastructure of flow -
    Weir: the infrastructure of flowArtist: Tracey M. BensonComment:
  • Preview of the 121212 UpStage Festival of Cyberformance
    Bent, Eliza. Preview of the 121212 UpStage Festival of Cyberformance American Theatre Magazine (December 2012): 60.
  • Der entfesselte Blick
    Lischka, Gerhard Johann. Der entfesselte Blick. Bern: Benteli, 1993.
  • Über die Grenzen des Realen: Der Blick und das Interface
    Weibel, Peter. Über die Grenzen des Realen: Der Blick und das Interface In Der Entfesselte Blick, edited by Gerhard Johann Lischka, 218-245. Bern, CH: Benteli Verlag, 1993.
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