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  • Ascott, Roy. Technoetic Connectivity In Internet Art between Interacitvity, Void and Dis-Authorization, edited by N. Vlic, 63-67. Skopje: Soros Center for Contemporary Arts, 1999.
  • InterCommunication Center Tokyo, ed. Media Passage. Tokyo: NTT Publishing Co., 1993.
  • Pesce, Mark et. al.. Game On: Head Games. London: Barbican Center Books, 2002.
  • Perry Hoberman is an installation and media artist who works with a wide variety of materials and technologies, ranging from the utterly obsolete to the state-of-the-art, from low-tech to high-tech and nearly everything in between. His work has
  • Jenny Holzer was born in Gallipolis, Ohio, in 1950. She received a BA from Ohio University in Athens (1972); an MFA from the Rhode Island School of Design, Providence (1977); and honorary doctorates from the University of Ohio (1993), the Rhode
  • Penny, Simon. Virtual Reality as the End of the Enlightenment Project In Culture on the Brink: Ideologies of Technology, edited by Gretchen Bender and Timothy Druckrey and NY Dia Center for the ArtsSeattle: Bay Press, 1994.
  • Aufbruch
    Stocker, Gerfried. Aufbruch In Genesis, edited by O.K. Center for Contemporary Art, 38-40. Linz: 1999.
  • Ascott, Roy. Das Netz, das fühlen Kann / The Sentient Net In Ars Electronica Center, Museum der Zukunft / Museum of the Future, edited by Hannes Leopoldseder, 64-71. Linz: Ars Electronica Center, 1996.
  • Gibson, Ross, ed. Remembrance + the Moving Image. Melbourne, AUS: ACMI Australian Center for the Moving Image, 2003.
  • Dr. Jeffrey Huang is Associate Professor of Architecture, Digital Media and Information Technology at Harvard Graduate School of Design (GSD), and since 2003 also at the Faculty of Arts and Sciences (FAS). Huang's teaching focuses on the