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Brighter Later
2013
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2013
Brighter Later, was a temporary light installation commissioned for the Radcliffe Observatory at Green Templeton College as part of Tracing Venus, the University of Oxford’s Public Art Programme for the Radcliffe Observatory Quarter. Inspired by
935 m de bande, Daniel Buren
1990
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1990
A l’image du « Corridoscope » de Buren, où alternent des bandes noires et blanches, le montage exploite une succession régulière de plans très courts. 935 mètres de bande adopte un tempo saccadé qui suit à la lettre celui de la bande son,texte et
Las colecciones de obras intangibles del MIDECIANT de Cuenca. Del museo físico al museo virtual. / The collections of intangible artworks of the MIDECIANT of Cuenca. From the physical museum to the virtual museum
2011
Alcalá Mellado, José Ramón and Beatriz Escribano Belmar and Vicente Jarque Soriano. Las colecciones de obras intangibles del MIDECIANT de Cuenca. Del museo físico al museo virtual. / The collections of intangible artworks of the MIDECIANT of
Manfred Mohr
Manfred Mohr *1938 in Pforzheim, Deutschland, wo er an der Kunst- und Werkschule studierte. Arbeitete von 1963-83 in Paris (F), wo er 1965 Lithografie an der Ecole des Beaux Arts studierte. Erste Einzelausstellung 1968 in der Daniel Templon Gallery,
Convulsive Tropical Beauty
2014
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2014
Beleza Convulsiva Tropical discute a tensão entre natureza e cultura, o informal e o formal, as situações de enfrentamento entre controle e descontrole que se emaranham à história cultural e urbana do Brasil. Aqui os trópicos são entendidos como uma
CON-TEMPO-RARY-LANDSCAPE
2016
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2016
CON-TEMPO-RARY-LANDSCAPEArtist: David OppenheimComment:
L'Immagine del Tempo - Anatomie dell'Immateriale
2014
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2014
Event: L'Immagine del Tempo - Anatomie dell'ImmaterialeInstitution: Artopia GalleryComment:
Mostra Tempo Movimento
2015
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2015
Mostra Tempo Movimento, Prêmio Diário Contemporâneo de Fotografia.
Tempo e Spazio Nell’Arte in Rete
2005
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2005
Event: Tempo e Spazio Nell’Arte in ReteInstitution: MAXXI MuseumComment:
Não!
1982
"Não!" is organized in text blocks which circulate in virtual space at equal intervals, leaving the screen blank prior to the flow of the next text block. The visual rhythm thus created alternates between appearance and disappearance of the
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