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Yee, Chris. ‘Local Eyes; Beyond Vague Terrain’ The Runner Magazine 2012 (January 2012): http://runnermag.ca/2012/01/local-eyes-beyond-vague-terrain/.

Funkhouser, C.T.. New Directions in Digital Poetry. International texts in critical media aesthetics. Vol.1. New York: Continuum, 2012.

Galloway, Alexander. The Interface Effect. Cambridge: Polity, 2012.

Manovich, Lev. Media After Software http://manovich.net/index.php/projects/article-2012.

Iglesias, Ricardo. La máquina y la carne. La realidad vs el arte róbotico. ISBN: 9788415415190 th ed.Madrid: Evohé: In "De Prometeo a Frankenstein. Autómatas, ciborgs y otras criaturas más que humanas" Various Authors, 2012.

Biggs, Simon, ed. Remediating the social. Bergen: ELMCIP, 2012.

Gates-Stuart, Eleanor. Stellrscope In C. Kennedy & M. Rosengren (Eds.), SPECTRA: images and data in art/science. Proceedings from the symposium SPECTRA 2012. Australian Network for Art and Technology, SA (2014).

Tom McCormack. Corroding the Machine: Net art pioneers JODI and their instructions for building a bomb http://www.movingimagesource.us/articles/corroding-the-machine-20120406 [Moving Image Source 6 April 2012].

Simanowski, Robert. Textmaschinen - Kinetische Poesie - Interaktive Installationen. Zum Verstehen von Kunst in digitalen Medien. Bielefeld: transcript, 2012.

Bent, Eliza. Preview of the 121212 UpStage Festival of Cyberformance American Theatre Magazine (December 2012): 60.