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Art and Science as Creative Catalysts
2015
Gates-Stuart E; Lovell D; L. Nyugen C; Adcock M; Bradley J; Morell M;. Art and Science as Creative Catalysts (Special Section of Leonardo Transactions “Highlights from the IEEE VIS 2013 Arts Program (VISAP’13), edited by Angus Forbes.”.
Review of Contemporary Art in Asia – A Critical Reader by Melissa Chiu and Benjamin Genocchio,. Leonardo On-Line Reviews.
2011
Pearlman,Ellen. Review of Contemporary Art in Asia – A Critical Reader by Melissa Chiu and Benjamin Genocchio,. Leonardo On-Line Reviews. November.
Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews
2011
Pearlman,Ellen. Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews May.
Review of Contemporary Chinese Art, Primary Documents, by Wu Hung, Leonardo on-Line Reviews
2010
Pearlman,Ellen. Review of Contemporary Chinese Art, Primary Documents, by Wu Hung, Leonardo on-Line Reviews December.
The Brain As A Reintrpretation Device
2015
Pearlman,Ellen. The Brain As A Reintrpretation Device Sounds, Image, Data-NYU Steinhardt/Goldsmiths/Leonardo (July 2015).
Telematic Touch and Go
2012
Pearlman,Ellen. Lau, Newman. Lozowski, Kenny. Telematic Touch and Go. Vol.18. 3 th ed.http://journals.gold.ac.uk/index.php/lea/article/view/155/118: Leonardo Electronic Almanac (LEA), 2012.
The interactive image: a media archaeology approach
2017
Esteban García Bravo and Angus G Forbes and Vetria L Byrd and Andrés Burbano. The interactive image: a media archaeology approach Leonardo 4, no. 50 (AUGUST 2017): 368-375.
Introduction: SIGGRAPH Art Gallery 2018
2018
Andrés Burbano. Introduction: SIGGRAPH Art Gallery 2018 Leonardo 4, no. 51 (AUGUST 2018): 419-421.
Original Narratives Art Gallery: Introduction
2018
Andrés Burbano. Original Narratives Art Gallery: Introduction Leonardo 4, no. 51 (AUGUST 2018): 420-421.
Art Gallery
2018
Andrés Burbano and Nā‘Anae Mahiki and Skawennati and Daniel Cardoso Llach and Ernest Edmonds. Art Gallery Leonardo 4, no. 51 (AUGUST 2018): 426-445.
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