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Hessels, Scott. Sustainable Cinema No. 4: Shadow Play Leonardo 4, no. 40 (2012): 384-395.

Spielmann, Yvonne. Hybrid Culture: Japanese Media Arts in Dialogue with the West. Leonardo Book Series, Cambridge MA: MIT Press, 2012.

Grau, Oliver. IMAGES (R)-EVOLUTION Media Arts Complex Imagery Challenging Humanities and Our Institutions of Cultural Memory Leonardo Electronic Almanach 20, no. 2 (2014): 71-85.

McGarrigle, Conor. Augmented Resistance: The Possibilities for AR and Data Driven Art. Leonardo Electronic Almanac 19, no. 1 (2013): 106-115.

Burton, Ed. Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence Leonardo 30, no. 4 (1997): 301-309.

Kera Denisa. Do-It-Yourself biology (DIYbio): Return of the Folly of Empiricism and Living Instruments In META-LIFE: Biotechnologies, Synthetic Biology, A-Life and the Arts, edited by Roger Malina & Louise Whiteley Annick BureaudCambridge,

Cubitt, Sean. The Practice of Light A Genealogy of Visual Technologies from Prints to Pixels. Leonardo Book, Camebridge: MIT Press, 2014.

Shanken, Edward. Jeffrey Shaw's Golden Calf: Art Meets Virtual Reality and Religion Leonardo Electronic Almanac 3, no. 4 (1995).

Tom Corby. Visualizing the news: mutant barcodes and geographies of conflict Leonardo: Art Science and Technology (2014): 84-85.

Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.