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Beiguelman, Giselle, ed. HTTPVideo, HTTPpix: Creative Processes and Criticism in Image Networks. São Paulo: Instituto Sergio Motta, 2010.

Cubitt, Sean. The Practice of Light A Genealogy of Visual Technologies from Prints to Pixels. Leonardo Book, Camebridge: MIT Press, 2014.

Neubauer, Susanne. On Visualized Vision In The Early Photographic Work Of Warren Neidich Theory, Culture & Society 27 (December 2010): 306-323.

Aceti, Lanfranco. When Aesthetic Is Not Just a Pretty Picture: Paolo Cirio's Social Actions Leonardo Electronic Almanac 20, no. 1 (January 2014): 232-249.

Pearlman,Ellen. Nothing and Everything: The Influence of Buddhism On the American Avant Garde, 1942-1962.. Berkeley: North Atlantic Books, 2012.

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).

Dreher, Thomas. Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main: Peter Lang, 1992.

Frieling, Rudolf. Hot Spots - Texte in Bewegung und die elektronischen Medien Kunstforum 133 (1996): 475-477.

Fleischmann, Monika. Virtualität und Interaktivität als Medium - Die Auflösung des Raumes Der GMD Spiegel 1 (1996): 42-44.

McCleave, Leslie. Film Medium: Zoe Beloff´s Uncanny Resurrections Res Magazine 5, no. 3 (2002).