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  • Quand les émotions deviennent formes
    Event: Quand les émotions deviennent formesInstitution: ACM Siggraph FranceComment:
  • Quand la l´imaginaire devient realite virtuelle: Á props de myth entourant les technologies du virtuel
    Bardini, Thierry. Quand la l´imaginaire devient realite virtuelle: Á props de myth entourant les technologies du virtuel Interface: La Revue de la Recherche (January 1996).
  • The Big Questions: Is the Devil curved?
    The Big Questions: Is the Devil curved?Artist: Maurice BenayounComment:
  • God, the Devil and Us
    Event: God, the Devil and UsInstitution: Artech 2017: the 8th International Conference on Digital ArtsComment:
  • Dialogue with the knowbotic south (DWTKS) -
    Dialogue With The Knowbotic South- strategies on a changing view of nature A dynamic map of a data-land-scape providing a form of interaction with multilocal and multipresent information-fields. Following the example of the manneristic
  • Vanishing Body -
    A work to lead spectator to a position of a performer. An installation for an exhibition "De-Genderism" at Setagaya Museum, Japan. When you enter the semicircle room (devided into two rooms by a screen), you are asked whether to enter with your
  • ASCII Shell Forkbomb
    This forkbomb is a kind of poetic virus. If its visually attractive line of only thirteen characters is entered into the command line of a Unix system and the enter key is pressed, within seconds the computer will crash because the devious little
  • electric earth -
    In Doug Aitken’s cinemascope-like, walk-in, multi-sectioned, video installation «Electric Earth» [...] the public is transported into the atmosphere of an airport by night. A flaming car and an abandoned shopping cart compliment the eerie scenario
  • Nilo Casares
    escritor y comisario crítico de arte volcado en la difusión y promoción del arte público y las artes digitales writer and art critic consultant devoted to spreading and promotion of public and digital art
  • gradually melt the sky
    Curated by Mark Skwarek & Will Pappenheimer
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