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IGUAQUE
1997
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1997
1998 05:30 min, color, stereo sound. The Muisca legend tells us that Bachué (Mother of humanity) came from the water, from a lagoon called Iguaque and after giving birth to humanity, she returned there. ... The reverie produced by water and the
Planet Sram
This work associates Virtual Reality with Multimedia through a narrative intuitive percourse. Designed for a multi-user interface platform that combines motion capture and virtual reality. Up to seven participants can interact with the application.
Telluric Force II
2013
360° projection, computer animation, 5.1 sound.
Telluric Vibrations
2020 Panelist: Telluric Vibrations moderated by Cristina Albu for UCLA Art Sci Center, ARS Electronica, Linz, Austria (on YouTube)
Uršula Berlot: Transparentno telo (Vanitas)/Transparent Body (Vanitas), Gallery Domžale, 7th – 23th of March 2013
2013
Nagy, Vasja. Uršula Berlot: Transparentno telo (Vanitas)/Transparent Body (Vanitas), Gallery Domžale, 7th – 23th of March 2013 Domžale: Kulturni dom Franca Bernika (2013).
The Body of Light/Telo svetlobe. In: Space For New Dialog/Prostor za novi dijalog
2008
Nagy, Vasja. The Body of Light/Telo svetlobe. In: Space For New Dialog/Prostor za novi dijalog The Museum of Contemporary Art Vojvodina in Novi Sad, 20th September – 4th October 2008. Novi Sad: Museum of Contemporary Art Vojvodina (2008).
Virual Realities: Cybernetic Art in the Museum of the Future
1992
Birringer, Johannes. Virual Realities: Cybernetic Art in the Museum of the Future Tema Celeste , no. 36 (1992): 64-69.
Frank Popper and Virtualized Art
2004
Nechvatal, Joseph. Frank Popper and Virtualized Art Tema Celeste Magazine 101 (Winter 2004): 48-53.
EVOLVING TOOLS: DIGITAL FABRICATION IN ARCHITECTURAL EDUCATION
2004
Temkin, Aron, ed. EVOLVING TOOLS: DIGITAL FABRICATION IN ARCHITECTURAL EDUCATION. Toronto: Riverside Architectural Press, 2004.
Témoignage d’artiste
2007
Benayoun, M.. Témoignage d’artiste Images, savoirs, numérique (2007).
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