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... on the soles of its feet, reinforcing Eve Clone’s identity and...

In 2014, I was invited to exhibit Revelation of Eve Clone IV in “Raising the Temperature” at the Queens Museum of Arts, New York. The work presented Eve Clone being submerged by seawater in a ruin. The water was dyed red, like blood from the dead.

Created using 3D animation, interactive computer programs, infrared sensors, and webcams, Eve Clone IV/V is an interactive audiovisual installation that features six large-scale “Eve Clone” projected across a three-dimensional, hexagonal

Dynamic video projection Project for the facade of Kunsthaus Bregenz (AT) Assistance: Patricia Köstring Sound: Nico Kirisits Post-production: Peter Koger, Manuel Maxl Recording and projection: Mäser digital media/Daniel Flatz Performer

Print on aluminium composite panel The UV print on Alu-Dibond shows a series of ornamental settlements. 'Violating Patterns' adopts the representation of NATO wire models from the product catalog of a market-leading manufacturer. The work arose in

I named it Eve Clone as God created Eve, and humans want to play God and created a cloned Eve. I integrate the elements of the human chrysalis and human beast to shape the double identities of Eve Clone, who was both charming and evil. I quoted the

... visual (VJ) performances were informed by a synthesis of these...

...Wet • MontrealArtist: Don RitterComment:

Interactive computer video installation University of Applied Arts Vienna (AT) Behind the computer-animated door is the "direct video transmission" of what is happening outside, the place where the viewer is coming from. At the same time, the window

Sensor-controlled interactive water installation, customs clearance caravan tunnel Austrian–Slovenian border crossing, competition 1990, realization 1991 "The speed of the sinusoidal wave motion depends on the traffic density and the speed of the